“Clocking your digital console with an Antelope clock is like turbocharging your desk. The difference between clocked and non-clocked audio is extremely noticeable. I don’t like to work without it.”
“Mixing a who’s who of hip hop, reggae, bass music, rock and beyond, Mundy is not only a go-to studio mastering and mixing editor but also an in-demand live engineer and system tech.”
“The beats, spacious and plumped out in the best sound of the night, were fabulous.”
“Being a professional is about being consistent and fast every time all the time. The M7CL gives me a flexible customizable work surface that does not stunt my creative vision as a mixer.”
“This year, DBS Sound engineer Patrick Mundy (“Mundy”), who typically mixes festivals and red carpet events, chose to use a Yamaha M7CL-48 digital audio console as his main source of audio.”
“Mundy recently mixed main stage front of house on a Yamaha PM5D for this year’s Rock the Bells Festival. “The owner of DBS Sound, Ruben Silva, is the man who I credit with marketing me and developing me as a ‘go to’ front of house engineer for just about any genre of music,” says Mundy.